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This story
appeared on Network World at
http://www.networkworld.com/columnists/2010/111710-bradner.html
The Beatles on iTunes: I want to hold your
bits
'Net Insider By Scott Bradner, Network World
November 17, 2010
11:22 AM ET
It is
amazing what will catch the fancy of the news media. For example, Nov. 16 was ÒBritish
dayÓ in U.S. publications. The day started out with just about every
newspaper and TV station covering an anticipated announcement that the Beatles
were coming to Apple iTunes, and the day ended with saturation coverage of the
engagement of Prince William and Kate Middleton.
The fact
that a band that broke up about 40 years ago could command such attention may
tell us more about the age of news directors than current tastes. The fact that
the attention was over making a bunch of old recordings available in yet
another way tells us quite a bit about how things work in the music business
these days.
The news
that the Beatles were going to be available via iTunes made quite a splash. The
news was one of the first stories on most newspaper Web sites from the first
thing in the morning of the announcement until mid-afternoon when the
engagement news hit. Google News found more than 3,000 news stories by 10 hours
after the announcement. The Beatles were one of the last few artists that had
been holding back from the digital availability movement. Now there are just a
few major ones left, including AC/DC, Garth Brooks, Def Leppard, Black Sabbath,
Frank Zappa and Kid Rock.
ITunes may
be only one of many legal music download sites, but it dominates the business
and public mindshare. According to published reports, iTunes includes more than
14 million songs available worldwide and has sold over 10 billion downloads. Apple is the top way that people get their music these
days - and that does not look like it is going to change anytime soon.
All of the
Beatles music was widely available on the Internet well before the iTunes
announcement. Not legally, but widely available none the less. ITunes mostly
made it legal. There have been a lot of stories as to why it took this long to
get to this point -- from corporate animosity, to reproduction quality, to
prices -- but the deed is now done and it just makes Apple stronger.
Apple has
gotten a bit more flexible on pricing since it first brought the music
industry, kicking and screaming, into the legal digital download age. The
amount of coverage the Beatles announcement got is a measure of how ubiquitous
legal digital downloads have since become in the music business. This is not to
say that most of the music industry has been lining up to thank Apple for this
development. Like most content owners, the music industry has a rather inflated
view of the value of its product and would raise the prices considerably if it
could. This is perfectly illustrated by book publishers who charge the same,
and in some case more, for digital versions of their books.
The future
of the music industry, like the future of just about all content businesses, is
in legal distribution over the Internet. Apple was able to force the music
business to properly balance price and profit. They are letting book publishers
learn a proper balance on their own and it looks like it will take a while.
Netflix is helping the movie industry in their learning process. The Beatles on
iTunes is just another exclamation point on the success of the legal digital
content distribution paradigm.
Disclaimer:
Harvard
makes use of iTunes but I have not seen any university opinion on the
importance, or lack of it, that the Beatles show up as well. So the above is my
own opinion.
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